I’ve been wanting to write a post for some time about Catherine Ryan Hyde’s JUMPSTART THE WORLD. Thing is, every single time I start to write it, I get a woosh of all sorts of images: me sitting in the movie theater when I was in grad school, watching PAY IT FORWARD (I was already a fan of Catherine’s)…I remember the insanely exciting, scary, stressful months leading up to the release of A BLUE SO DARK, and the hope and—okay, intimidation—I felt approaching Catherine for a blurb. I think of all the exchanges I’ve had with Catherine via email and online in the months—good grief, A BLUE SO DARK is actually nearly a year old!—since she sent her incredibly encouraging blurb…
As for JUMPSTART, I loved it—as I absolutely knew I would. Some novels (I’m thinking of Anderson’s WINTERGIRLS or Suzanne Phillips’s BURN) you read because they instantly put an off-kilter feeling in your gut. You’re propelled forward to find out how the protagonist’s knotted-up mess will finally untangle. Although the storyline is equally as compelling, JUMPSTART has a vulnerability about it, a more gentle tug that draws the reader on to its conclusion. The sweetness is what I wanted to return to, each time I had to put the book down.
As for me, anytime I cracked the cover of JUMPSTART, I also thought about Catherine. I saw her hand in the pages…
Before I began writing full-time myself, authors were truly distant, almost sacred creatures. I saw novels as objects—as things. As I was growing up, and as I entered adulthood, authors seemed, for the most part, somewhat unapproachable. Not Catherine, though. And because of that, as I read JUMPSTART, I truly felt that the novel was living. Breathing.
I don’t think I’ll ever pick up a book again and think of it as a thing…
Thank you, Catherine…
How about you? Has meeting an author online or in person changed how you read?
This is so cool. I didn't see it until just now. Thanks, Holly!
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