On the eve of the official release of A BLUE SO DARK, I thought I'd do a celebratory reading! (I'm so excited, I don't even mind the silly phone ringing in the background!)
Now, you can see my words in print and hear my voice...
Friday, April 30, 2010
Thursday, April 29, 2010
A BLUE SO DARK GIVEAWAY!
Fellow Holly and fellow '10 debut-er Holly Cupala has been kind enough to feature me and A BLUE SO DARK in her super-clever Story Secrets blog series!
...Head on over to read the post and comment! (One lucky commenter will win a copy of A BLUE SO DARK!)
...Head on over to read the post and comment! (One lucky commenter will win a copy of A BLUE SO DARK!)
Tuesday, April 27, 2010
A TWOFER UPDATE...
I got my first review from a blogger! And it’s soo fantastic…it’s up on my fridge, right beside the Booklist review! Thanks so much to Sam at One Sparkling Star!
And…I’m thrilled to announce I’ll be at the Borders on Glenstone in Springfield, Missouri to sign copies of A BLUE SO DARK! June 26, 1-3 p.m.
See you there!
And…I’m thrilled to announce I’ll be at the Borders on Glenstone in Springfield, Missouri to sign copies of A BLUE SO DARK! June 26, 1-3 p.m.
See you there!
Friday, April 16, 2010
INTERVIEW AT BETWEEN THE LINES
Ah, so many incredible books. 2010 has already been full of such fantastic reads! I don’t know how busy book bloggers choose which novel to dig into first…seriously.
…But before you all take off for the weekend to find yourselves some nice shade trees where you can plunge into your current selections (does everyone have the kind of drinkably sweet spring weather we have in Missouri right now?), there’s one more interview to explore—at Between the Lines!
…But before you all take off for the weekend to find yourselves some nice shade trees where you can plunge into your current selections (does everyone have the kind of drinkably sweet spring weather we have in Missouri right now?), there’s one more interview to explore—at Between the Lines!
Wednesday, April 14, 2010
STARRED REVIEW IN BOOKLIST
I’ve been reeling from this one all day: A BLUE SO DARK received a starred review in Booklist! (A star “indicates a work judged to be outstanding in its genre.”)
Here’s the excerpt that’s also been posted at the Flux website:
“Breathtakingly, gut-wrenchingly authentic...A haunting, realistic view of the melding of art, creativity, and mental illness and their collective impact on a young person’s life.”—Booklist, starred review
Monday, April 12, 2010
INTERVIEW AT MY TEA TIME IS BOOK TIME
Love the questions that were just posted in a new interview at My Tea Time is Book Time! Love.
Hurry on over to find out who my book-crush is, and who I’d pick to play the characters in a movie adaptation of A BLUE SO DARK…
Hurry on over to find out who my book-crush is, and who I’d pick to play the characters in a movie adaptation of A BLUE SO DARK…
Friday, April 9, 2010
AS PROMISED: A BLUE SO DARK SNEAK PEEK
I’m ecstatic to bring you all a little snippet of my forthcoming debut! You’ll also find this excerpt posted this morning at The Book Pixie…
In the prologue of A BLUE SO DARK, we find Aura on a family vacation in Florida, when Aura is only ten years old. This is before her parents’ divorce, before her mother begins to sink dangerously into the darkness of schizophrenia. The Florida Aura finds on her vacation doesn’t live up to the paradise she had imagined. But a tub of mermaids, carved from driftwood, that she discovers in a souvenir shop, offers a chance for Aura and her mother to share a moment together…the kind of sweet moment that seems gone for good when we next encounter Aura, at fifteen, in the book’s opening chapter.
…From the prologue:
I dug through the lot, picking up each new treasure and turning it over the way I’d imagined, before leaving Missouri, that I’d turn over seashells along the fringes of the exotic Florida shore. “Mermaids $2,” a sign taped to the gray metal tub advertised, and suddenly, I knew exactly what I wanted to take home from our disappointing trip. I was still trying to pick which mermaid I’d buy when a redheaded sea creature with a shiny gold tail was snatched from my hand.
“How much for all of them?” Mom asked, tossing the mermaid back the way a fisherman tossed back a tiny catch that just wasn’t enough. Her smiling face glowed from behind the curtain of her long black hair. God, that smile, it had a thousand watts of pride in it, and stretched farther across her cheeks than the grin she’d worn when I’d won Best Painting in the All School Art Exhibition the year before.
In the prologue of A BLUE SO DARK, we find Aura on a family vacation in Florida, when Aura is only ten years old. This is before her parents’ divorce, before her mother begins to sink dangerously into the darkness of schizophrenia. The Florida Aura finds on her vacation doesn’t live up to the paradise she had imagined. But a tub of mermaids, carved from driftwood, that she discovers in a souvenir shop, offers a chance for Aura and her mother to share a moment together…the kind of sweet moment that seems gone for good when we next encounter Aura, at fifteen, in the book’s opening chapter.
…From the prologue:
I dug through the lot, picking up each new treasure and turning it over the way I’d imagined, before leaving Missouri, that I’d turn over seashells along the fringes of the exotic Florida shore. “Mermaids $2,” a sign taped to the gray metal tub advertised, and suddenly, I knew exactly what I wanted to take home from our disappointing trip. I was still trying to pick which mermaid I’d buy when a redheaded sea creature with a shiny gold tail was snatched from my hand.
“How much for all of them?” Mom asked, tossing the mermaid back the way a fisherman tossed back a tiny catch that just wasn’t enough. Her smiling face glowed from behind the curtain of her long black hair. God, that smile, it had a thousand watts of pride in it, and stretched farther across her cheeks than the grin she’d worn when I’d won Best Painting in the All School Art Exhibition the year before.
“All?” the man at the counter laughed. “Good grief, lady, waddaya want ’em all for?”
“For my daughter,” Mom said softly. She looked down at me, her eyes not just glittering, but snapping with fire, like two 4th of July sparklers. “She can’t decide which one she wants. I know, because I’d never be able to, either.” She ran her finger down the length of my nose, almost like you’d stroke a favorite pet, adding, “We’re just alike, me and Aura.”
And you know, back then, the idea of that didn’t scare the absolute hell out of me.
“For my daughter,” Mom said softly. She looked down at me, her eyes not just glittering, but snapping with fire, like two 4th of July sparklers. “She can’t decide which one she wants. I know, because I’d never be able to, either.” She ran her finger down the length of my nose, almost like you’d stroke a favorite pet, adding, “We’re just alike, me and Aura.”
And you know, back then, the idea of that didn’t scare the absolute hell out of me.
Wednesday, April 7, 2010
DAFFODILS, DANDELIONS, AND GUEST POSTS GALORE!
Two of my guest posts just went live this morning! The first explores how I moved from writing literary fiction in my debut YA to writing a romance in my sophomore novel.
…I know that at first blush, literary fiction and romance might seem to have about as much in common as vibrant spring daffodils and dried-up old autumn leaves…But I say these two styles of writing are far more alike than that first blush might let on…
Here are a few thoughts on writing in multiple genres (which has also been posted this morning at The Book Pixie):
…I know that at first blush, literary fiction and romance might seem to have about as much in common as vibrant spring daffodils and dried-up old autumn leaves…But I say these two styles of writing are far more alike than that first blush might let on…
Here are a few thoughts on writing in multiple genres (which has also been posted this morning at The Book Pixie):
My debut novel, A BLUE SO DARK, is a literary YA that tackles mental illness, the nature of creativity, and the healing power of art, and is due out from Flux Books May 1!
My sophomore YA, PLAYING HURT, a summer romance that occurs between two athletes, is due out from Flux in ’11.
I know this might, at first, seem a little strange—following a literary novel with a romance. When I was in college, literary (character-driven) work and genre (plot-driven) work were discussed as two completely different forms of writing. But the revision process I went through to sell these two novels proves just how much the two genres depend on one another.
Let me explain:
I wrote A BLUE SO DARK in an explosion of creative energy—the whole process took just a little over two months! I cleaned it up, polished it, and began to submit…and the rejections started flooding my inbox. I was hearing that the book had some good literary writing but was just plain too internal. The novel took place far too much in Aura’s head. So I had to insert some action—instead of Aura telling the reader how she felt about her mother or her school life or her art or her best friend, I began to devise scenes in which we could see her interact with the people in her life.
Once Aura was talking and moving about in the world, she became a fully rounded character. Those editors I was submitting to could actually understand Aura better when they witnessed her interacting with the world around her than they could when she told them who she was straight-out!
PLAYING HURT was originally a romance about a couple of teens who found love through a summer affair. The main character, Chelsea, basically learned, in the initial draft, that there was a difference between friendship and romantic love—for the first time, she learned what lust, what passion felt like. But while the first draft of this book was filled with dramatized scenes, there just didn’t seem to be enough going on internally with the characters.
So…..I took a look at my draft, and thought my main character, Chelsea, seemed kind of…athletic. She liked the outdoor activities that took place at the resort where she met Clint, her love interest. So I thought—what if she’s an ex-athlete? What if she’s been hurt, and is at the resort to get some confidence…and then I thought, what if Clint’s been hurt…I began to build them up internally, focusing on character development rather than plot this time to fully round out the story.
Basically, I had to use what I’d learned from all my reading of genre fiction to infuse drama into A BLUE SO DARK, my literary novel. And I had to use what I’d learned about character development from literary fiction in order to fill out PLAYING HURT, my romance!
…So, yeah, literary and genre…I think they absolutely go hand-in-hand…
Now that I’ve whet you’re appetites, and you’re dying for another serving of writing advice, check this out: HOW DANDELIONS MAKE ME A BETTER WRITER. I’m not joking. They do—find out how over at The Book Girl Reviews!
My sophomore YA, PLAYING HURT, a summer romance that occurs between two athletes, is due out from Flux in ’11.
I know this might, at first, seem a little strange—following a literary novel with a romance. When I was in college, literary (character-driven) work and genre (plot-driven) work were discussed as two completely different forms of writing. But the revision process I went through to sell these two novels proves just how much the two genres depend on one another.
Let me explain:
I wrote A BLUE SO DARK in an explosion of creative energy—the whole process took just a little over two months! I cleaned it up, polished it, and began to submit…and the rejections started flooding my inbox. I was hearing that the book had some good literary writing but was just plain too internal. The novel took place far too much in Aura’s head. So I had to insert some action—instead of Aura telling the reader how she felt about her mother or her school life or her art or her best friend, I began to devise scenes in which we could see her interact with the people in her life.
Once Aura was talking and moving about in the world, she became a fully rounded character. Those editors I was submitting to could actually understand Aura better when they witnessed her interacting with the world around her than they could when she told them who she was straight-out!
PLAYING HURT was originally a romance about a couple of teens who found love through a summer affair. The main character, Chelsea, basically learned, in the initial draft, that there was a difference between friendship and romantic love—for the first time, she learned what lust, what passion felt like. But while the first draft of this book was filled with dramatized scenes, there just didn’t seem to be enough going on internally with the characters.
So…..I took a look at my draft, and thought my main character, Chelsea, seemed kind of…athletic. She liked the outdoor activities that took place at the resort where she met Clint, her love interest. So I thought—what if she’s an ex-athlete? What if she’s been hurt, and is at the resort to get some confidence…and then I thought, what if Clint’s been hurt…I began to build them up internally, focusing on character development rather than plot this time to fully round out the story.
Basically, I had to use what I’d learned from all my reading of genre fiction to infuse drama into A BLUE SO DARK, my literary novel. And I had to use what I’d learned about character development from literary fiction in order to fill out PLAYING HURT, my romance!
…So, yeah, literary and genre…I think they absolutely go hand-in-hand…
Now that I’ve whet you’re appetites, and you’re dying for another serving of writing advice, check this out: HOW DANDELIONS MAKE ME A BETTER WRITER. I’m not joking. They do—find out how over at The Book Girl Reviews!
Monday, April 5, 2010
A BLUE SO DARK SNEAK PEEK!
Yep, that's right...it's coming soon…an actual peek into A BLUE SO DARK (set to hit shelves now in less than a month)!
The fabulous Book Pixie has been kind enough to set aside three different slots for me…The interview just posted today—you’ll find a guest post and the sneak peek at her blog later this week. I’ll cross-post the guest post and peek here, too, so get revved and ready!
The fabulous Book Pixie has been kind enough to set aside three different slots for me…The interview just posted today—you’ll find a guest post and the sneak peek at her blog later this week. I’ll cross-post the guest post and peek here, too, so get revved and ready!
Friday, April 2, 2010
MY FIRST AUTHOR GIG!
Okay, so it’s all still basically in the planning stages, but I’m so excited, I wanted to give everybody the heads up: I’ve just landed my first author event!
I’ll be at the Teen Lit Fest at The Library Center here in Springfield, taking your questions and signing copies of A BLUE SO DARK!
Mark it on your calendars: June 5.
More juicy details to come…
I’ll be at the Teen Lit Fest at The Library Center here in Springfield, taking your questions and signing copies of A BLUE SO DARK!
Mark it on your calendars: June 5.
More juicy details to come…
Tuesday, March 30, 2010
CONVERSATION WITH A LOCAL TEEN LIBRARIAN
I could read articles about what’s “hot” for today’s teen readership until my eyes fall out…or I could just go straight to the source! Sarah, a teen and tween librarian located here in Springfield, Missouri, was kind enough to share her thoughts on daily life at the library, how the YA genre has changed over the years, and what teens (and tweens) are grabbing off the shelves…
* Give us a little background—how did you come to be a teen / tween librarian?
* Describe a typical day at the library—if there is such a thing! What's your favorite (or the most rewarding) aspect of the job?
* You come across as a lifelong book junkie (like myself)! What are the main differences between teen bookaholics today and teen boookaholics when (I hate to use this phrase) we were that age?
I think the biggest difference is the amount of materials they have targeted just for teens. And libraries have become more aware of how important services to teens are and changing. When I was a teen, we had one shelf that was the "teen shelf" at the library-now there's an entire department dedicated to YA. It's a growing genre and there are so many more books to choose from now. More authors are realizing how fun it is to write for teens and more publishers are realizing what a great market it is.
* What are the biggest challenges you face as a teen librarian?
Advocacy!! There are many times I feel like I'm the only one who is passionate about teen services, so it feels like a daily fight at times. It's especially hard when I encounter patrons who don't understand or don't care that we have a space for teens and argue about why they can't hang out and have a meeting there. But I love what I do and I think teens need a space just for them, so I put up with the grumps just for them!
* What timeless themes do you find consistently requested by readers?
I think books about growing up, discovering who you are and navigating life never go out of style. I think YA is popular with teens and adults because there's more hope in the story-adult books tend to be more bleak and depressing and whine about how the world is terrible and life is terrible. That's still there in YA, but there's often more hope in the story. Also, romance never seems to get old.:)
* How do teen readers react to slightly older books? (When I was in junior high, I gobbled Christopher Pike. But now, I look at books like Chain Letter, which is about teens receiving threats in the snail-mail, and I wonder if it doesn't just seem archaic to tech-savvy young adults.)
*What type of book do teens seem to be gravitating toward right now? Tweens? What's the attraction?
Romance, adventure and humor seem to be the biggest thing my teens and tweens are wanting. The Wimpy Kid series is popular with tween readers and we can't keep them on our shelves. Same with the Percy Jackson series, which has more of tween and teen fanbase. And paranormal romance still is going strong, although more and more of my teens have moved on from Twilight and are now going for other paranormal books-Shiver, Hush Hush, and Evermore have all been popular.
* How does blogging influence you / help your job?
* What's been the biggest surprise since you became a teen librarian?
I'm always a little surprised about how little people know about the library! I guess I shouldn't be, and maybe I'm different because I grew up going to the library and am from a family of readers. But it always shocks me a little when people are surprised the library has movies and downloadable audiobooks. And they laugh at me or look shocked when I say I'm a librarian-they think I'm too young (I'm 27)! It makes me laugh and gives me a chance to hopefully breakdown the library stereotypes they're thinking of.
Thanks to Sarah—and to all the tireless librarians who spread the love of literature! You can find Sarah’s incredible book blog at GreenBeanTeenQueen, and you can check out the latest for area teens at the Springfield-Greene County Library District’s TeenThing page.
* Give us a little background—how did you come to be a teen / tween librarian?
I've always been a reader and library goer, but never thought about becoming a librarian. Then one day after college, I was in a job I didn't enjoy and trying to figure out what I wanted to do and I came across a site from the American Library Association called "So You Want to be a Librarian?" I thought "yes I do!" and when I moved to Springfield, looked for a job at the library.
* Describe a typical day at the library—if there is such a thing! What's your favorite (or the most rewarding) aspect of the job?
No day is typical-you never know what the day will bring!:) But I spend my day assisting patrons of all ages, helping with homework, finding books to read, and generally answering any reference question that's thrown my way. When I'm working off desk in the YA area, I'm working on planning programs then running programs, reading up on what books are being released, making an order wishlist and submitting it to our collection development team, updating the teen blog, updating the teen facebook, organizing the YA department, writing up booklists and booktalks, and meeting and talking to the teens that are there that day.
* You come across as a lifelong book junkie (like myself)! What are the main differences between teen bookaholics today and teen boookaholics when (I hate to use this phrase) we were that age?
I think the biggest difference is the amount of materials they have targeted just for teens. And libraries have become more aware of how important services to teens are and changing. When I was a teen, we had one shelf that was the "teen shelf" at the library-now there's an entire department dedicated to YA. It's a growing genre and there are so many more books to choose from now. More authors are realizing how fun it is to write for teens and more publishers are realizing what a great market it is.
* What are the biggest challenges you face as a teen librarian?
* What timeless themes do you find consistently requested by readers?
* How do teen readers react to slightly older books? (When I was in junior high, I gobbled Christopher Pike. But now, I look at books like Chain Letter, which is about teens receiving threats in the snail-mail, and I wonder if it doesn't just seem archaic to tech-savvy young adults.)
It really depends on the cover. I have some older books on the shelves that teens will snub, even though it's a great book-the cover is just awful. Publishers are smart though, and they know we often are drawn to a cover first-so they've been re-releasing older books with new titles and covers. And when they've got the updated covers, the teens will check them out. Some books will get an update in the text too and update the language, technology. But I think as long as it's a great story and draws them in, it doesn't matter about the age.
*What type of book do teens seem to be gravitating toward right now? Tweens? What's the attraction?
* How does blogging influence you / help your job?
I read a lot anyway, but with my blog, I can have ready reviews to booktalk to my teens-which is great and very helpful when I have school visits. It also helps when I draw a blank on what I've been reading! I've also noticed that I analyze books more-I think about what it is I like about them, what I think my teens will like about them, who I can give it to, etc. I still read for fun, but there's always a layer of reviewing going through my head.
* What's been the biggest surprise since you became a teen librarian?
Thanks to Sarah—and to all the tireless librarians who spread the love of literature! You can find Sarah’s incredible book blog at GreenBeanTeenQueen, and you can check out the latest for area teens at the Springfield-Greene County Library District’s TeenThing page.
Sunday, March 28, 2010
IN DEFENSE OF THE JERK WHO NEVER WROTE YOU BACK
You know the one. The author you idolized for years—years—the same author you had to actually work up the guts to email…the author who actually responded to your email. The author who maybe even promised to do an interview or write a guest post for your blog.
And then...
And then…
Nothin’.
You were heartbroken—admit it. Felt like somebody had just stood you up. What happened? you wondered. Were some of my interview questions inappropriate or—offensive? Did the author decide they didn’t like my blog? Do they think I’m some giant loser because of where I live or what I said in my last review or what books I’ve got on my wish-list on Goodreads or…
Yeah. None of that.
Here’s the deal—writing is a 24/7 job. I’m not being cute, and I’m not trying to justify bad or rude behavior. But I know cardiologists who don’t keep any longer hours than I do (that’s no hyperbole). And the writers I’ve met this past year are no different. Writing is not leisurely. It’s hard. It’s something you’ve got to work at. Every. Single. Day. And the work load doesn’t get any lighter once you sell a book. It explodes.
And then...
And then…
Nothin’.
You were heartbroken—admit it. Felt like somebody had just stood you up. What happened? you wondered. Were some of my interview questions inappropriate or—offensive? Did the author decide they didn’t like my blog? Do they think I’m some giant loser because of where I live or what I said in my last review or what books I’ve got on my wish-list on Goodreads or…
Yeah. None of that.
Here’s the deal—writing is a 24/7 job. I’m not being cute, and I’m not trying to justify bad or rude behavior. But I know cardiologists who don’t keep any longer hours than I do (that’s no hyperbole). And the writers I’ve met this past year are no different. Writing is not leisurely. It’s hard. It’s something you’ve got to work at. Every. Single. Day. And the work load doesn’t get any lighter once you sell a book. It explodes.
(This is just a portion of my stack of yet-to-be-revised manuscripts.)
…So…next time you think a writer’s giving you the cold shoulder, please assume that the writer’s just plain busy. Send them a sweet, funny email reminding them of your previous correspondence. I guarantee they’ll delight in getting a thoughtful and understanding message from one of their biggest fans…
Sunday, March 21, 2010
"INTERVIEW" WITH CHRISTY RAEDEKE
Christy Raedeke's debut novel, PROPHECY OF DAYS, is set to be released by Flux Books on May 1, 2010...the same day A BLUE SO DARK hits store shelves!
As a couple of first-timers, we sat down to discuss our books: the initial spark of inspiration, how we found Flux, and where we're headed next...
Raedeke: Hi Holly, do you remember the very day the idea for A BLUE SO DARK came to you?
Schindler: I remember it coming to me in pieces over a few weeks, actually. When I was young, I imagined that authors would get this fantastic "ah-ha" moment in which their characters, (and their characters' struggles and growths) came to them all at once. Maybe some do...But what happens for me is that I get a sliver of an idea--a kind of what-if. From there, I'll write this really general, broad-strokes outline. And I'll start adding to it...
When I got the biggie pieces jotted down for A BLUE SO DARK (creativity and madness, Aura's mentally ill mother, Aura's fear of allowing art to bring "madness" out in herself), the first draft came super-fast...I'd get twenty-plus pages written in a day. And the next morning, I couldn't wait to get up and get back to it. I had to go through about four manuscript overhauls, and honestly, each one wrote just as quickly.
I love a book that's layered--and I think the way books GET layered is that an author kind of stacks dimensions on top of each other with successive rewrites...every time an author goes back, she (or he) adds a new element to the plot, or maybe a new secondary character who interacts with the protagonist in such a way that it illuminates new dimensions of that protagonist...
How about you? Did you get one of those "ah-ha" moments for PROPHECY OF DAYS? Did everything come to you all at once?
Raedeke: The idea for my book came not long after leaving my child for the first time. My husband and I were meeting friends at a University of Oregon football game (Go Ducks!) and had just dropped off our daughter at my Mom's. I know I should have cried or felt guilty or something, but as we drove away the sense of freedom was overwhelming—close to when I bought my first car and drove it home with the top down and Soft Cell blaring. Disclaimer: it was the eighties.
Anyway, something about knowing I was free for the next 30 hours opened up my imagination. On the three-hour drive to Eugene I told Scott the story and we talked it through. The seed was planted. Because I eventually had to go back and claim that child, it took awhile to write. And agent. And sell. And publish. (That child is now 9!) I'm still convinced that good ideas come when you make space for them.
Schindler: Now I'm going to have "Tainted Love" in my head the rest of the day! So true, though, about how long the entire process takes. A BLUE SO DARK was drafted in late 2006, and the offer from Flux came in 2009...But this was NOT the first manuscript I attempted to sell! (I'd been attempting to publish my novels since I got my master's in '01!) Looking back, what kept you motivated to keep working on PROPHECY OF DAYS? What was the initial submission process like? Did you ever hit a wall, feel like publication was never going to happen?
Raedeke: To be honest, curiosity kept me going. This book took a lot of research, which is one of my favorite pastimes. I love following a random thought for an hour or two on the internet; it’s amazing where one fact can lead you. I was also used to working in marketing and business development, so when my kids were little and I was trapped at home during naptime, it felt good to have something to work on. I felt a sense of accomplishment as the page count grew.
My wall came after I got my agent. Fortunately, I only had to endure one query rejection before signing with Laura Rennert of Andrea Brown Literary. I received an email from her late at night saying she had not yet finished the manuscript but she loved it so far and wanted to offer representation. I was ecstatic, of course. The bad news came when she had actually finished reading and thought the ending was week. She was right, of course, so I went through a huge revision process before it even went out. That was Wall One.
Wall Two came at submission time. PROPHECY OF DAYS went out on submission to several big NYC editors, but this was back in late 2007/early 2008 before the whole 2012 thing was really in the mainstream zeitgeist (especially on the East Coast) and they just didn’t get it. The funny thing is, last year one of the editors who rejected the submission announced at an SCBWI conference that she was actively looking for any books on 2012. What a difference a couple of years can make!
Meanwhile, I had read some great Flux books and had followed and respected Editor Andrew Karre’s blog. I just sensed he’d “get” the book so I suggested to Laura that we send it to him. She'd recently signed Maggie Stiefvater as a client and had just negotiated Maggie's second book at Flux, so she knew Andrew was awesome. As I suspected, he got it. I was fortunate to get one great revision letter from him before he left for Lerner, and then the fabulous Brian Farrey took the reins.
How about you—what kept you going between when you first started writing novels on 2001 and when you sold A BLUE SO DARK in 2009? Did you hit many walls? Did they come pre- or post-agent?
Schindler: Writing was this absolute have-to thing with me. I was ALWAYS writing—even when I was a little girl. I remember, I was in, oh, junior high, I think—I was over at a friend’s house when ROMANCING THE STONE came on TV…You know how it starts, right? With Kathleen Turner bawling as she wraps up her latest novel? My friend started laughing, elbowed me and said, “That’s going to be YOU!”
Writing was just all-encompassing. And it got WORSE as I got older. Seriously. My family offered some incredible financial support so that I could devote full-time effort to writing after I got out of grad school. (They probably thought I was going to explode if I didn’t write…)
Can’t lie—I got pretty frustrated at times, but never to the point of wanting to quit. It CONSTANTLY seemed like I was getting closer to an acceptance. I stopped getting form rejections and started getting “good” rejections—you know, where editors will actually give you feedback, encourage you to keep at it.
I actually sold A BLUE SO DARK myself, without the help of an agent, soon after Brian Farrey got the acquisitions gig at Flux…And talk about an editor “getting” it—I remember hanging up the phone after talking to him the first time and going, “Him. I want to work with HIM.” I could hardly eat that Thanksgiving, because I was sort of tied up in knots, hoping that Flux would acquire the book.
Raedeke: I love that you did it on your own! Flux is amazing about finding great new voices, and I agree Brian is great to work with. He’s been very, uh, patient with me and deadlines. Your family sounds amazing—I have always wanted to live at the time when there were “Art Patrons” who would support artists. Looks like I’ll have to time travel back to Renaissance Europe or feudal Japan; the current economy will definitely not support this trend. Sigh.
Have you always written YA or have you written in other genres?
Schindler: Yeah, I’m incredibly lucky…it’s been very ROOM OF ONE’S OWN around here! I didn’t go 100% completely jobless, though—to help with the bills, I taught piano and guitar lessons out of the house in the afternoons. Up until that time, I’d been writing adult work. My students inspired me to try my hand at YA!
My reading is kind of all over the place…the classics, literary fiction, thrillers, romance, clever cereal boxes, catchy billboards…so my WRITING tends to be a little all over the place, too, in terms of genre. Already, I’ve sold a literary novel and a romance to Flux and an adult romantic comedy to Blooming Tree Press. And what I’m working on now is night-and-day different from what I’ve already sold.
How did you come to YA? Did you write PROPHECY OF DAYS thinking it was YA, or (as it seems like it often happens with first-time authors) did your agent tell you it was YA?
Raedeke: I was journalism major and had taken lots of writing classes though the years, but had always focused on general fiction and narrative nonfiction. This was my first try at a Young Adult book, and basically I was writing the perfect book for myself at that age. I’ve always been intrigued by esoteric, ancient mysteries, and the idea of a collective consciousness, so it was a natural fit for both research and writing. I finished another manuscript while PROPHECY was on sub, and hopefully someday I’ll go back and polish that one up.
You have so many manuscripts in the pipeline! It must be incredibly exciting to finally realize the dream of having several books out, of being a “real” author. However, you’ll only be a Debut Author once. What are you most looking forward to as we head into May, our release month?
Schindler: Wow…I think just the feeling of knowing that A BLUE SO DARK is on actual SHELVES in actual BOOKSTORES. I got these all-over tingly moments when I saw the novel on Amazon…and again when I found it on the Borders and Barnes and Noble websites. (I think it must be kind of the same feeling musicians get when they hear their songs on the radio for the first time…)
But I’m always looking ahead. I’ve honestly, seriously got a stack of manuscripts that stretches from the floor to the ceiling in the corner of my office. And I have piles of notebooks that are filled with ideas and outlines for novels that I haven’t yet drafted. If I lived to be 150, I’d never have enough time to put every idea on paper…Sometimes, I think the coolest part of selling A BLUE SO DARK is that it kind of opened doors so that I can start selling the REST of my work, too.
How ‘bout you? Are you going to celebrate on May 1st? Have you ALREADY celebrated? (Could you really take the moment in when you signed the contract? Did it seem real? I think for me, in all honesty, things started to get REAL when I held an ARC in my hands.)
Raedeke: The ARC definitely made it real! Seeing my name on the spine was kind of a wow moment! Honestly, I have been so busy trying to finish book two that I haven’t taken the time to really soak in what’s going on. I’m finishing this weekend and sending the full manuscript off to Brian, so I’ll be able to breath and enjoy this week—which is perfect timing since I’ll be signing ARCs in the Flux booth at PLA convention on Thursday!
Holly, it’s been an absolute delight to have this back-and-forth with you. I wish you a lifetime of success with your pillar of manuscripts—if I could be one tenth as productive as you I could die happy! We’re in a unique position, both of us with our debut books releasing from the same house the same week. I’m thrilled to be there with you and I can’t wait to get my hands on A BLUE SO DARK.
Schindler: Same to you, Christy! PROPHECY OF DAYS is on my must-have list…Have an absolutely fantastic time at the PLA convention…Take a deep breath during the signing and let it all soak in. Congratulations on PROPHECY, and on finishing book #2!
...You can find Christy Raedeke on the web at christyraedeke.com and raedeke.blogspot.com.
As a couple of first-timers, we sat down to discuss our books: the initial spark of inspiration, how we found Flux, and where we're headed next...
Raedeke: Hi Holly, do you remember the very day the idea for A BLUE SO DARK came to you?
Schindler: I remember it coming to me in pieces over a few weeks, actually. When I was young, I imagined that authors would get this fantastic "ah-ha" moment in which their characters, (and their characters' struggles and growths) came to them all at once. Maybe some do...But what happens for me is that I get a sliver of an idea--a kind of what-if. From there, I'll write this really general, broad-strokes outline. And I'll start adding to it...
When I got the biggie pieces jotted down for A BLUE SO DARK (creativity and madness, Aura's mentally ill mother, Aura's fear of allowing art to bring "madness" out in herself), the first draft came super-fast...I'd get twenty-plus pages written in a day. And the next morning, I couldn't wait to get up and get back to it. I had to go through about four manuscript overhauls, and honestly, each one wrote just as quickly.
I love a book that's layered--and I think the way books GET layered is that an author kind of stacks dimensions on top of each other with successive rewrites...every time an author goes back, she (or he) adds a new element to the plot, or maybe a new secondary character who interacts with the protagonist in such a way that it illuminates new dimensions of that protagonist...
How about you? Did you get one of those "ah-ha" moments for PROPHECY OF DAYS? Did everything come to you all at once?
Raedeke: The idea for my book came not long after leaving my child for the first time. My husband and I were meeting friends at a University of Oregon football game (Go Ducks!) and had just dropped off our daughter at my Mom's. I know I should have cried or felt guilty or something, but as we drove away the sense of freedom was overwhelming—close to when I bought my first car and drove it home with the top down and Soft Cell blaring. Disclaimer: it was the eighties.
Anyway, something about knowing I was free for the next 30 hours opened up my imagination. On the three-hour drive to Eugene I told Scott the story and we talked it through. The seed was planted. Because I eventually had to go back and claim that child, it took awhile to write. And agent. And sell. And publish. (That child is now 9!) I'm still convinced that good ideas come when you make space for them.
Schindler: Now I'm going to have "Tainted Love" in my head the rest of the day! So true, though, about how long the entire process takes. A BLUE SO DARK was drafted in late 2006, and the offer from Flux came in 2009...But this was NOT the first manuscript I attempted to sell! (I'd been attempting to publish my novels since I got my master's in '01!) Looking back, what kept you motivated to keep working on PROPHECY OF DAYS? What was the initial submission process like? Did you ever hit a wall, feel like publication was never going to happen?
Raedeke: To be honest, curiosity kept me going. This book took a lot of research, which is one of my favorite pastimes. I love following a random thought for an hour or two on the internet; it’s amazing where one fact can lead you. I was also used to working in marketing and business development, so when my kids were little and I was trapped at home during naptime, it felt good to have something to work on. I felt a sense of accomplishment as the page count grew.
My wall came after I got my agent. Fortunately, I only had to endure one query rejection before signing with Laura Rennert of Andrea Brown Literary. I received an email from her late at night saying she had not yet finished the manuscript but she loved it so far and wanted to offer representation. I was ecstatic, of course. The bad news came when she had actually finished reading and thought the ending was week. She was right, of course, so I went through a huge revision process before it even went out. That was Wall One.
Wall Two came at submission time. PROPHECY OF DAYS went out on submission to several big NYC editors, but this was back in late 2007/early 2008 before the whole 2012 thing was really in the mainstream zeitgeist (especially on the East Coast) and they just didn’t get it. The funny thing is, last year one of the editors who rejected the submission announced at an SCBWI conference that she was actively looking for any books on 2012. What a difference a couple of years can make!
Meanwhile, I had read some great Flux books and had followed and respected Editor Andrew Karre’s blog. I just sensed he’d “get” the book so I suggested to Laura that we send it to him. She'd recently signed Maggie Stiefvater as a client and had just negotiated Maggie's second book at Flux, so she knew Andrew was awesome. As I suspected, he got it. I was fortunate to get one great revision letter from him before he left for Lerner, and then the fabulous Brian Farrey took the reins.
How about you—what kept you going between when you first started writing novels on 2001 and when you sold A BLUE SO DARK in 2009? Did you hit many walls? Did they come pre- or post-agent?
Schindler: Writing was this absolute have-to thing with me. I was ALWAYS writing—even when I was a little girl. I remember, I was in, oh, junior high, I think—I was over at a friend’s house when ROMANCING THE STONE came on TV…You know how it starts, right? With Kathleen Turner bawling as she wraps up her latest novel? My friend started laughing, elbowed me and said, “That’s going to be YOU!”
Writing was just all-encompassing. And it got WORSE as I got older. Seriously. My family offered some incredible financial support so that I could devote full-time effort to writing after I got out of grad school. (They probably thought I was going to explode if I didn’t write…)
Can’t lie—I got pretty frustrated at times, but never to the point of wanting to quit. It CONSTANTLY seemed like I was getting closer to an acceptance. I stopped getting form rejections and started getting “good” rejections—you know, where editors will actually give you feedback, encourage you to keep at it.
I actually sold A BLUE SO DARK myself, without the help of an agent, soon after Brian Farrey got the acquisitions gig at Flux…And talk about an editor “getting” it—I remember hanging up the phone after talking to him the first time and going, “Him. I want to work with HIM.” I could hardly eat that Thanksgiving, because I was sort of tied up in knots, hoping that Flux would acquire the book.
Raedeke: I love that you did it on your own! Flux is amazing about finding great new voices, and I agree Brian is great to work with. He’s been very, uh, patient with me and deadlines. Your family sounds amazing—I have always wanted to live at the time when there were “Art Patrons” who would support artists. Looks like I’ll have to time travel back to Renaissance Europe or feudal Japan; the current economy will definitely not support this trend. Sigh.
Have you always written YA or have you written in other genres?
Schindler: Yeah, I’m incredibly lucky…it’s been very ROOM OF ONE’S OWN around here! I didn’t go 100% completely jobless, though—to help with the bills, I taught piano and guitar lessons out of the house in the afternoons. Up until that time, I’d been writing adult work. My students inspired me to try my hand at YA!
My reading is kind of all over the place…the classics, literary fiction, thrillers, romance, clever cereal boxes, catchy billboards…so my WRITING tends to be a little all over the place, too, in terms of genre. Already, I’ve sold a literary novel and a romance to Flux and an adult romantic comedy to Blooming Tree Press. And what I’m working on now is night-and-day different from what I’ve already sold.
How did you come to YA? Did you write PROPHECY OF DAYS thinking it was YA, or (as it seems like it often happens with first-time authors) did your agent tell you it was YA?
Raedeke: I was journalism major and had taken lots of writing classes though the years, but had always focused on general fiction and narrative nonfiction. This was my first try at a Young Adult book, and basically I was writing the perfect book for myself at that age. I’ve always been intrigued by esoteric, ancient mysteries, and the idea of a collective consciousness, so it was a natural fit for both research and writing. I finished another manuscript while PROPHECY was on sub, and hopefully someday I’ll go back and polish that one up.
You have so many manuscripts in the pipeline! It must be incredibly exciting to finally realize the dream of having several books out, of being a “real” author. However, you’ll only be a Debut Author once. What are you most looking forward to as we head into May, our release month?
Schindler: Wow…I think just the feeling of knowing that A BLUE SO DARK is on actual SHELVES in actual BOOKSTORES. I got these all-over tingly moments when I saw the novel on Amazon…and again when I found it on the Borders and Barnes and Noble websites. (I think it must be kind of the same feeling musicians get when they hear their songs on the radio for the first time…)
But I’m always looking ahead. I’ve honestly, seriously got a stack of manuscripts that stretches from the floor to the ceiling in the corner of my office. And I have piles of notebooks that are filled with ideas and outlines for novels that I haven’t yet drafted. If I lived to be 150, I’d never have enough time to put every idea on paper…Sometimes, I think the coolest part of selling A BLUE SO DARK is that it kind of opened doors so that I can start selling the REST of my work, too.
How ‘bout you? Are you going to celebrate on May 1st? Have you ALREADY celebrated? (Could you really take the moment in when you signed the contract? Did it seem real? I think for me, in all honesty, things started to get REAL when I held an ARC in my hands.)
Raedeke: The ARC definitely made it real! Seeing my name on the spine was kind of a wow moment! Honestly, I have been so busy trying to finish book two that I haven’t taken the time to really soak in what’s going on. I’m finishing this weekend and sending the full manuscript off to Brian, so I’ll be able to breath and enjoy this week—which is perfect timing since I’ll be signing ARCs in the Flux booth at PLA convention on Thursday!
Holly, it’s been an absolute delight to have this back-and-forth with you. I wish you a lifetime of success with your pillar of manuscripts—if I could be one tenth as productive as you I could die happy! We’re in a unique position, both of us with our debut books releasing from the same house the same week. I’m thrilled to be there with you and I can’t wait to get my hands on A BLUE SO DARK.
Schindler: Same to you, Christy! PROPHECY OF DAYS is on my must-have list…Have an absolutely fantastic time at the PLA convention…Take a deep breath during the signing and let it all soak in. Congratulations on PROPHECY, and on finishing book #2!
...You can find Christy Raedeke on the web at christyraedeke.com and raedeke.blogspot.com.
Saturday, March 13, 2010
INTERVIEW AT YA ADDICT!
A fun new interview has just been posted this morning at YA Addict!
…Favorite question: “Tell us a little bit about the main character, Aura.”
I really love it when readers see characters as people…makes me think of all those characters I adored as a teen, that I wished I went to school with. Really. Wouldn’t high school have been much more enjoyable if it was populated with you all-time favorite characters?
…Favorite question: “Tell us a little bit about the main character, Aura.”
I really love it when readers see characters as people…makes me think of all those characters I adored as a teen, that I wished I went to school with. Really. Wouldn’t high school have been much more enjoyable if it was populated with you all-time favorite characters?
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